To complete the trilogy of artists talking about working practices - and the back and forth dance of painting- here below is a studio interview with Elizabeth Murray. Murray's works can be found in private collections, in NY subway commissions and in the Museum of Modern Art in New York. She was one of a few successful and respected artists in the heavily Neo Expressionist 1980s in New York that garnered respect in what was largely still a man's game -- and even more admirably, she did it while inserting graphic, cartoonish imagery into the conversation of abstraction.
Monday, June 25, 2012
Thursday, June 21, 2012
Trip to see art - SATURDAY!
We will meet at 11am THIS SATURDAY MORNING the 23rd, at the corner of 26th street and 10th avenues in New York. If you are coming by train to Penn Station, it's a short walk southwest (see map below). If it's raining, we will meet inside the lobby of 526 West 26th Street. Email me if you need more specific directions (tcalvert@raritanval.edu)
Here are some of the shows we might see:
The Joan
Mitchell Foundation 2011 MFA Grant Recipients
Vision
Quest
Nicole
Eisenman: Woodcuts, Etchings, Lithographs and Monotypes
PICK
Selma
Parlour and Yelena Popova
***The
Big Picture
Brent
Green: To Many Men Strange Fates are Given
PICK
Here are some of the shows we might see:
Jeff Bailey Gallery
625 West 27th Street, 212-989-0156
Chelsea
June 14 - July 13, 2012
Opening: Thursday, June 14, 6 - 8 PM
Web Site
625 West 27th Street, 212-989-0156
Chelsea
June 14 - July 13, 2012
Opening: Thursday, June 14, 6 - 8 PM
Web Site
Syd Mead –
Future (Perfect)
BravinLee
Programs
526 West 26th Street, #211, 212-462-4404
Chelsea
May 11 - June 30, 2012
Opening: Friday, May 11, 6 - 8 PM
526 West 26th Street, #211, 212-462-4404
Chelsea
May 11 - June 30, 2012
Opening: Friday, May 11, 6 - 8 PM
The Joan
Mitchell Foundation 2011 MFA Grant Recipients
CUE
Art Foundation
511 West 25th Street, Ground Floor, 212-206-3583
Chelsea
June 7 - July 28, 2012
Opening: Thursday, June 7, 6 - 8 PM
Web Site
511 West 25th Street, Ground Floor, 212-206-3583
Chelsea
June 7 - July 28, 2012
Opening: Thursday, June 7, 6 - 8 PM
Web Site
Vision
Quest
Nicole
Klagsbrun Gallery
532 West 24th Street, 212-243-3335
Chelsea
June 21 - August 10, 2012
Opening: Thursday, June 21, 6 - 8 PM
Web Site
532 West 24th Street, 212-243-3335
Chelsea
June 21 - August 10, 2012
Opening: Thursday, June 21, 6 - 8 PM
Web Site
Nicole
Eisenman: Woodcuts, Etchings, Lithographs and Monotypes
PICK
Leo
Koenig, Inc.
545 West 23rd Street, 212-334-9255
Chelsea
May 24 - June 30, 2012
Opening: Thursday, May 24, 6 - 9 PM
Web Site
545 West 23rd Street, 212-334-9255
Chelsea
May 24 - June 30, 2012
Opening: Thursday, May 24, 6 - 9 PM
Web Site
Selma
Parlour and Yelena Popova
Horton
Gallery
504 West 22nd Street, 212.243.2663
Chelsea
June 14 - July 14, 2012
Opening: Thursday, June 14, 6 - 8 PM
Web Site
504 West 22nd Street, 212.243.2663
Chelsea
June 14 - July 14, 2012
Opening: Thursday, June 14, 6 - 8 PM
Web Site
***The
Big Picture
Sikkema
Jenkins & Co.
530 West 22nd Street, 212-929-2262
Chelsea
June 8 - July 27, 2012
Opening: Friday, June 8, 4 - 6 PM
Web Site
530 West 22nd Street, 212-929-2262
Chelsea
June 8 - July 27, 2012
Opening: Friday, June 8, 4 - 6 PM
Web Site
Brent
Green: To Many Men Strange Fates are Given
PICK
Andrew
Edlin Gallery
134 Tenth Avenue, 212-206-9723
Chelsea
May 5 - June 23, 2012
Web Site
134 Tenth Avenue, 212-206-9723
Chelsea
May 5 - June 23, 2012
Web Site
Post for Monday - Thomas Nozkowski
One of my favorite videos: Thomas Nozkowski in the studio.
Tuesday, June 19, 2012
David Hockney video
Click here for a video with David Hockney that shows some of his landscape paintings in the studio in progress. He also discusses the changing nature of landscape as a subject.
Monday, June 18, 2012
Trip to New York - Saturday
We will decide Wednesday whether there will be a trip to New York art galleries: THIS Saturday 6/23 from 11am-2:30pm. We can go to the Met and look at Rembrandt and Carravaggio up close, or we can go to Chelsea Art galleries and look at an array of contemporary artworks. The Nicole Eisenman show will still be up.
Tuesday, June 12, 2012
Article about Sue Coe on Hyperallergic
I first heard artist Sue Coe give a talk on her work at Carnegie Mellon in 1995. In person, she is a soft spoken and judicious person, not the personality you expect from the unleashed depiction of violence in her artwork. She showed a very compelling and personal series of drawings of her mother in the moments before and after she passed away.
Reading this article (click here) on her work reminded me of several artists whose work is similar formally, but also in its notion that one role of art is to make us recoil, and then realize that an illustration of something terrible is only a meagre stand-in for the real thing.
Sue Coe, Woman Walks into Bar - Is Raped by Four Men on the Pool Table - While 20 Watch, 1983. Collection of the Museum of Modern Art, NY. (*Notice the reference to Picasso's Guernica!)
Reading this article (click here) on her work reminded me of several artists whose work is similar formally, but also in its notion that one role of art is to make us recoil, and then realize that an illustration of something terrible is only a meagre stand-in for the real thing.
Sue Coe, Woman Walks into Bar - Is Raped by Four Men on the Pool Table - While 20 Watch, 1983. Collection of the Museum of Modern Art, NY. (*Notice the reference to Picasso's Guernica!)
Leon Golub, Interrogation I, 1981
Ivan Albright, And Man Created God in His Own Image, 1930-31. Collection of the Art Institute of Chicago.
Francisco Goya, from The Disasters of War series, Plate 39: Grande hazaña! Con muertos! (A heroic feat! With dead men!), 1810-1820.
Monday, June 11, 2012
Exhibition in Chinatown, NY
You're all welcome to attend a group exhibition in which I am showing work, opening reception this Saturday night:
Mike Rollins Fine Art presents:
Dystopian Delight
OPENING RECEPTION
Saturday June 16th
6-9 PM
New York, NY 10002
Featuring paintings by:
John Bent
Tiffany Calvert
Mark Epstein
Ronna Lebo
Meridith Passabet
DYSTOPIAN DELIGHT
HERE!....painting is presented as a human gesture of celebration crashing head-on, purposely, with natural disasters, world crisis and dismal market catastrophe.
HERE!....lies the disparity between representational and abstract space; the natural world forced into a hand-made violation of the two-dimensional picture plane.
HERE!...,mutilation is present as perfection; authentic misery under the guise of happiness.
HERE!...we feel a compassion for the horrible, a pathos for the comedy of worldly knowledge, a self-conscious attachment to detachment.
HERE!....painting acts-out a visual recognition of something unknown, painting behaves as an immoral revelation of heraldic emptiness.
HERE!...the eternal moment is skewed into pictorial space where Beauty and Ugly fight for the surface before drowning.
Here is a group of paintings that ultimately say only what needs to be said about themselves as paintings.
Wednesday, June 6, 2012
Monday, June 4, 2012
Artist Video: Charline von Heyl
Watch below a great interview with contemporary painter Charline von Heyl. Von Heyl uses some alternative painting techniques such as spraying, masking, taping, which we will experiment with during Wednesday's class.
Friday, June 1, 2012
Extra post: play the Surrealist/Dada game exquisite corpse on your phone
The Los Angeles County Museum of Art (LACMA) has made a new free app that allows you to play the Surrealist /Dada game of exquisite corpse on your phone! It's called Artswipe. (More about exquisite corpse below):
http://hyperallergic.com/46984/lacma-lets-you-play-exquisite-corpse-on-your-iphone/
http://en.m.wikipedia.org/wiki/Exquisite_corpse#section_1
http://hyperallergic.com/46984/lacma-lets-you-play-exquisite-corpse-on-your-iphone/
http://en.m.wikipedia.org/wiki/Exquisite_corpse#section_1
Post for Monday: Painters...
In response to our first critique, I'm posting some relevant artists. For Painting I, some painters who use varying a wet-into-wet processes. For III, the Hudson River School painters - -
Dana Schutz, Feelings, 2003
Claire Sherman, Snow and Trees, 2010
Philip Guston, 1952-3
And Hudson River School:
Thomas Cole, the Oxbow, 1836 and more information here
Tuesday, May 29, 2012
Free Figure Session TODAY 2:30-6:30
Remember there is a free Figure Drawing session this afternoon in A07 from 2:30-6:30.
Also, our second post for this holiday week. Only a short response is required: the incredible Barnes Foundation collection has reopened in a new space in Philadelphia this month. This would be a great museum to visit if you cannot go to New York. Go to the site and plan ahead as tickets must be reserved ahead of time.
Founded in 1922, the Barnes was originally intended as collection to be viewed only in person in the buildings' location in the Philadelphia suburbs. The paintings, ranging from El Greco to Dali, were never permitted to be reproduced (except for one small catalog in the 1990s due to financial needs of the institution), so these paintings were to be seen only in person. A controversial relocation (that has been in process for several years) has allowed the collections to move to a beautiful new location in downtown Philadelphia, and now allows more access. (More info on the relocation here and here. )
Friday, May 25, 2012
Exhibitions in New York
I attended the openings for the two exhibitions below last night. Click on the links to view the gallery websites and more images. Remember, you can fulfill your requirement to see art in New York by going to galleries as a class on an upcoming Saturday. Bring some possible dates next class if you would like to go.
Lisa Kereszi and Rachel Perry Welty at Yancey Richardson
Lisa Kereszi photographs empty, abandoned, or dilapidated sites which were formerly locations for fun, escapism, hedonistic pleasure. They can be seen as a metaphor for the larger economic downturn, but the works also attend to a formal beauty. Although their subjects are dilapidated, the photos themselves construct formally careful, beautiful compositions, call attention to colors and textures.
Nicole Eisenman at Leo Koenig Gallery - Woodcuts, Etchings, Lithographs and Monotypes
Eisenman showed dozens of prints in varying printmaking techniques. The most interesting and painterly were her Monotypes, a process that involves painting on plexiglass with printmaking inks, pulling a print from it, then using the remaining ink left on the plexiglass as a "ghost image" to begin a new version.
Lisa Kereszi and Rachel Perry Welty at Yancey Richardson
Lisa Kereszi photographs empty, abandoned, or dilapidated sites which were formerly locations for fun, escapism, hedonistic pleasure. They can be seen as a metaphor for the larger economic downturn, but the works also attend to a formal beauty. Although their subjects are dilapidated, the photos themselves construct formally careful, beautiful compositions, call attention to colors and textures.
Nicole Eisenman at Leo Koenig Gallery - Woodcuts, Etchings, Lithographs and Monotypes
Eisenman showed dozens of prints in varying printmaking techniques. The most interesting and painterly were her Monotypes, a process that involves painting on plexiglass with printmaking inks, pulling a print from it, then using the remaining ink left on the plexiglass as a "ghost image" to begin a new version.
At the New York art fairs this March, I saw some great Monotypes by the painter Cecily Brown. More information on monotypes at MoMA.
Monday, May 14, 2012
Welcome to Summer Painting
Welcome to Summer Painting! This blog will be host to information, articles, videos and side discussions that relate to class. You are required to respond to at least two posts per week with comments, discussion.
Glen Brown "To Wit, Wise Humor"
Glen Brown "To Wit, Wise Humor"
Beatrice Milhazes "Sinfonia Nordestina" 2008
Peter Doig "Concrete Hut" 1994
Karin Davie "Symptomania" 2008
Archives Below
Below this post are archived posts from last summer's Painting I class. Feel free to read them for additional information and artists...
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